New York’s Westside Theatre ‘Application Pending’: One Actress, 43 Characters, 75 Minutes

Edward Rubin
Print Friendly
www.artesmagazine.com

Christina Bianco in ‘Application Pending.’ All photos: Joan Marcus

It took fifteen-minutes, as I watched Application Pending, to adjust to Christina Bianco’s electrifying, over-the-top performance. Between her ‘faster than a speeding bullet’ character changes—each with their own voice and mannerisms—and a surprisingly intelligent script that skewers just about everything and everybody in the most non-PC way, I had to reprogram my brain to take it all in. If I didn’t, my head would have exploded with all of the different personalities and hot-button topics being fired at the audience from the stage. xxxxxx

For 75 riveting minutes and 42 characters—most of who make several character building appearances throughout the show—the writers, Andy Sandberg (also the director) and Greg Edwards leave no topic unsullied, as they bombard thewww.artesmagazine.com audience with more than a whiff of sex scandals, politics, race relations, child-rearing, homosexuality, transgender themes, the entitled rich, the put-upon poor, to liars, cheats, and a terrorist on the run; all these portrayed as a rich array of weirdoes and oddballs inhabiting Bianco.

The overall plot is simple. The director of the Pre-Primary Admissions at Edgely Preparatory Academy, an elite Manhattan school for the rich, has mysteriously disappeared and Christine Evans, (Christina Bianco) a lowly   assistant to a kindergarten teacher at the academy is pulled from class and appointed by the school’s director to fill this position. To add insult to injury, it is the last day for applications to be accepted and the telephone, each with a different parent, child, or academy employee requesting information, as well as favors, is ringing off the hook.

While the overall plot may be simple, the sheer number of mindboggling twists and turns in each character’s story, and the script’s countless play on words www.artesmagazine.comand double-entendres, both subtle and in your face—you really have to pay close attention so as not to miss anything—is anything but.

And that’s when the hilarity begins, as each outrageous individual, all brilliantly channeled by Bianco, try everything in their power, including bribery, bragging, threats, gifts, and outright lies, to get their child’s application both approved and in under the deadline.

Half out of her mind, Christine, in a job she doesn’t want, fields countless calls from nervous and irate parents of the applicants, as well as from a Russian businessman, a Senator of South Carolina, agents from the Department of Homeland Security, Federal Bureau of Investigation, and Drug Enforcement Agency, and an executive of PETA.

An especially mysterious and nasty rival, Vera Vandercooché, chancellor of admissions at Buckington Academy, who wants to do Christine in, is one of the most intriguing callers. Thrown into the mix are George Clooney, Celine Dion, her ex-husband Richard, Devin her preschool-age son, and His Holiness, the pope.

While I never saw Christine Bianco perform before this seeing this play, somehow her name was familiar to me. Maybe I saw her name mentioned on YouTube, as her many mini-characterizations, as noted in her Playbill bio. To date, that venue has racked up some 20 million hits. Or I could have read about her appearances on “The Ellen Degeneres Show” and “The Queen Latifah Show.” Bianco did star Off-Broadway in Newsical the Musical and Forbiddenwww.artesmagazine.com Broadway Goes To Rehab, for which she was nominated for a Drama Desk Award. Sadly, I missed both of those productions.

While writing this review, I did decide to check out Bianco’s YouTube appearances, a sample which is posted below for your enjoyment. The big surprise is that the gal has an amazing set of pipes, seemingly able to channel every singer and actress born, from Piaf, Monroe, Midler, Judy, Liza, Adele, Cher…you name and she does it.

I am hoping that her next move will be a star-turn in a newly penned full-length play where she gets to play herself, instead of many. I wouldn’t be surprised if this is already in the works.

By Edward Rubin, Contributing Editor 

“Application Pending”

Westside Theatre

407 West 43th Street

New York, New York 10036

Closes: Sunday, April 19, 2015

Tickets: Telecharge.com, 212-239-6200, or at box office.

http://www.westsidetheatre.com/ 

One Comment

Leave a Reply

This blog is kept spam free by WP-SpamFree.